Rewind Song offered an outburst of impressions and associations. The marking of the frequent changes of scenes with short blackouts gave also added strength. (.) It is the visual expression – the alliance between the bare steel stage and the dancing, elastic acting – and the rhythmical, empowering music, that are the basic elements. (.) In the firm and precise direction of Michael Laub, irony, humour and seriousness are all well balanced. Ingvild Horn, Bergens Arbeiderblad, Norway, Despair and humour are the core of Rewind Song, the unpredictability of the work tends to sharpen the audience’s attention and keep spectators riveted to their seats.
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The intention of director Michael Laub is to show us the world of illusion of the media, film clichés and TV flicker a world of illusion of cool appetites and exploited human relations where every attempt to achieve a personal identity only serves to reinforce the sensation of unreality. Remote Control, Sweden’s most extraordinary theatre company, has performed at the prestigious Venice Biennale and festivals throughout Europe. An ocean of carefully built clichés that got brutally torn down only to be restored. (.) Crude and tender conf/using and explicit at the same time. (.) Frivolous and refined body culture without inhibition. (.) The actors used their bodies with a control and virtuosity that left us breathless. An exquisite group of actors in combination with intense, monumental and inspiring music by Larry Steinbachek and spectacular beautiful lighting made this performance a true theatre event of a rare sort. If we cant write it well give you 25 Submit a fully complete application. We will be offering replacement coverage to our current USLI customers. Out of the ordinary, Rewind Song carried off the palm awarded by the Bergen Theatre Festival. USLI Personal Umbrella Renewals - This carrier has large rate increases and is requiring minimum auto limits of 1 million in AZ, CA, GA, MO, MT and WA and 500,000 in all other states. Rewind Song reflects the mood of our times. The relaxed approach and the professionalism shown by the 16 performers is astonishing, especially because most of them are non-professional actors. Though scenes from Rewind Song may seem fragmentary, each one is neatly chiselled out of the other and fits within the larger framework.
Ulla-Britt Edberg, Svenska Dagbladet, Stockholm, (.) Beautiful, brutal, desperate, the images change and flicker like fireflies in the night, all in a strictly controlled choreography. Rewind Song combines theatre and sound, rhythm with fragmentary expression of film and video in search of a suitable theatrical language. It links the different, otherwise unrelated, scenes. The music by Michael Laub and Larry Steinbachek has a narrative function that indicates a state of mind. (.) This is visual theatre where image and sound are primary factors. Monica Nieckels, Moderna Museet, Stockholm
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